Lost City of Trellech - Home. The 2. 01. 6 season of digging is now over. Thank you to everyone who took part and those that helped out in the filming for the Digging for Britain Series. In 2. 01. 5 we concentrated on three areas; the tower trench, the curtain wall including part of the courtyard and the kitchen, all three of which are part of a fortified moated manor house. The tower trench is so named as it is the part of the excavation that lies next to the round tower that was excavated in 2. Initially we were interested in investigating a curved shaped feature outside the tower, found at the end of 2. Where can I find a Wheat Belly counselor? I’m one of those here who has lost the wheat, but hasn’t lost the weight. I’ll pay a fee for counseling, that’s how. Hey do you like old synthesizers that look more like telephone switchboards than proper musical instruments? Then check out my other blog for a picture gallery/write. Dear TIME Reader, As a regular visitor to TIME.com, we are sure you enjoy all the great journalism created by our editors and reporters. Philippine President Rodrigo Duterte announced his "separation" from the United States on Thursday, declaring he had realigned with China as the two agreed to resolve. Love the found washcloth, thank you for a fun neat pattern. I pinned it in the dead of night and later the next day found your site. Ran to get a ball of cotton and. Lost At E Minor is a publication of trends and pop culture - art, design, music, photography, tech, fashion, and more. This was quickly discovered to be quite a shallow feature and likely to be modern in origin, possibly created by the previous farmer who regularly burnt waste in the area leading to a discolouration of the soil beneath. As the area outside the tower was taken down further it was observed that many of the stones in the area were lying at an angle and that at the northern end of the trench the soil was increasingly getting blacker the deeper the trench went (the normal soil colour is red that gets redder and less black the deeper you go). This suggested a possible ditch so the trench was subsequently expanded to investigate this possibility and to find its extent. The people digging it clearly thought they had found a ditch and could see its extent, personally I could not. What was definitely clear was that the further south we went there were less signs of any ditch existing. It may be that the northern end just caught the edge of a ditch and this will need to be investigated further but the position of large spoil heaps in the vinicity makes this impossible for the time being. While investigating for a ditch it was noticed that the finds immediately outside the tower were large and well preserved, while finds from the ground to the south behind the next building were smaller and more numerous. This might suggest that the ground immedately behind the round tower remained as pasture, while the ground behind the building to the south was a garden and cultivated breaking up any artefacts in the ground. Both areas have a large amount of stone in them now making modern cultivation impracticable and the lack of plough marks suggests modern activity is not a factor. The second area to be investigated was the curtain wall on the east perimeter of the manor house and part of the courtyard that it enclosed. We wanted to understand the relationship between this wall and the tower that it adjoined. Back in 2. 01. 4 we investigated the relationship between the other curtain wall on the south perimeter and found that part of it had existed prior to the tower (layers or soil and slag abutted it but those same layers lay under the tower). However part of it was built after the tower had begun to be constructed as the tower lay below and under the walls foundation. A clear break in construction was then found showing that this one wall was a mixture of an earlier wall that had been partly removed, then rebuilt and curved to meet the tower that was under construction. So we wanted to see if a similar thing was happening with the east perimeter or was it all of one date. Possible breaks in construction were identified but none as clear and obvious as in the south perimeter and could be explained by the rather haphazard building of many of the stone walls (several drawings of the walls have been thrown away by annoyed archaeologists thinking they had made a mistake after looking at their work, only to discover their work was correct, it was the nature of the doggy stone work they were drawing). The consistent context of earth below would suggest that the east perimeter wall is all of one date and that given the tower sits below one of its ends, this perimeter was built after the construction of the tower had started. In both cases, each perimeter wall seamlessly joins to the round tower construction and looks likely to have been tied in simultaneously with the round tower construction. While the quality of workmanship on many of the walls may leave much to be desired, the quality and build of the round tower is of a different order of merit. While in this area we also investigated again the foundation of the tower where it joined the east perimeter wall (first investigated in 2. No foundation trench was found. The contexts under the tower (investigated 2. The absence of a foundation trench might suggest that the tower has simply sunk into this position owning to its great weight, deforming the clay under it. A similar occurence has been noticed following the removal of some of our spoil heaps that have significantly deformed the ground beneath them. We also looked at the courtyard inside the perimeter and found that the stone courtyard surface was laid after the east perimeter wall was built as it abutted to it. This had been laid on a bed of iron slag (again laid after the east perimeter wall was built) essentially used as hardcore as a bed for the stone slabs. Some of the stone slabs had been robbed during the abandonment of part of the building in the early 1. Belw all of these features including the tower, between 1 to 1 1/2 feet of clay with medieval pottery was found showing that earlier phases exist that then stop on reaching a white/yellow clay extremely rich in iron which is presumably natural but this will be investigated more in 2. The Kitchen proved to have the most interesting discoveries in 2. For many years this area has not been excavated as it is regularly flooded by the high water table that exists in Trellech. We concentrated on excavating the lowest third (east end) that had proved the most problematic regarding flooding. We discovered that below this kitchen was an earlier stone building, built of substantial blocks, the corner of which had used as the foundation for the new kitchen block. Previously under the round tower and courtyard we had found medieval contexts that were earlier than the manor house but this is the first time that we have a building to go with those contexts. It was clear that when the earlier building had collapsed, rather than remove the stone work, the builders of the kitchen simply raised the floor up over the rubble at the lowest end, possible as a means of getting above the water table (the water table today will be higher than that in the past, partly as the ground around is higher i. They also added in a clay floor, possibly as damp proofing before adding another layer of clay/sand and small broken rubble as hardcore that had clearly been smoothed by people walking on it. Above this no evidence for any additional flooring material was found and although two different fireplaces were identified there was only a little charcoal. This contrasts significantly from the reception hall of the manor house and of other fireplaces found that have significant accumulations of charcoal in their vinicity. One possible explanation taken from known examples of medieval kitchens is that reeds or other similar material were used as the floor. This material would be able to absorb some of the liquid, blood and smells created with the use of the kitchen, then periodically removed, burnt and a new layer laid down. This would help explain the lack of charcoal on the floor underneath. The hardcore layer that had clearly been smoothed by people walking on it, could still be achieved with reeds or similar material immmediately above. Between the building phases of the earlier building and later kitchen, there were some contexts noted. A single line of posts of varying thickness were put up parrallel to the north wall of the kitchen. The line was not particular straight, but the amount of rubble below made a straight line impossible. They must have been placed after the earlier building had fallen as had they been there before they would have been flattened by the size of material that collapsed. These posts may have been to mark a temporary building line following the collapse of the earlier building or as a possible wind break on the north side. In amongst the rubble immediately to the south an area of burning was identified and some of the rubble looked to have been laid out as to hold a temporary hearth. So it may have been simply some temporary structures built into the ruins of the old building by the builders of the new kitchen as an area to cook and have a break. The posts were only discovered as at some point they were burnt, the burning going straight down to their bases. Since the post bases were later below the floor of the new kitchen and the surrounding earth had not been burnt it must have occured before the floor laid down. Following the laying of the floor the burnt posts were simply snapped off. On the north side of the building a fireplace with chimney stack had been found by 2. We initially thought it was a later add on as the north wall of the kitchen clearly goes behind the chimney stack that then abuts it. This view was further reinforced when the lintel in front of it was found only to go down to the latest floor surface in the kitchen. However on more detailed inspection in 2. A soak way drain cut into this surface also clearly bent around this earlier lintel showing that it must have already been in place when the soak away was constructed. The area where the fireplace contects with the north wall also seems to be all of one build. So although the base of the chimney has unnecessary faced stone work of the north wall behind it, the overall evidence points to a kitchen built with a fireplace and chimney stack at the same time c. Back in 2. 00. 7 a large stone that was originally part of a mill stone was found in the centre of the kitchen. Excavation over several years and during 2. A similar conglomerate mill stone has been used as the base for the central fireplace in the reception hall of the manor house.
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Superhero fiction is the genre of fiction that is centered on such characters, especially in American comic books since the 1. By most definitions, characters do not require actual supernatural or superhuman powers or phenomena to be deemed superheroes. Often at least one of these supervillains will be the superhero's archenemy. Some long- running superheroes such as Batman, Spider- Man, Superman, Captain America, Wonder Woman, Iron Man, the Flash, Wolverine, Green Lantern, and Hulk have a rogues gallery of many villains. History. This era saw the debut of first known female superhero, writer- artist Fletcher Hanks's character Fantomah, an ageless ancient Egyptian woman in the modern day who could transform into a skull- faced creature with superpowers to fight evil; she debuted in Fiction House's Jungle Comics #2 (Feb. Timely Comics, the 1. Marvel Comics. Most of the other female costumed crime- fighters during this era lacked superpowers. Notable characters include The Woman in Red. Black Cat. 1. 94. Black Canary, introduced in Flash Comics #8. Aug. 1. 94. 7) as a supporting character. All- American Publications, one of two companies that would merge to form DC Comics in 1. In 1. 95. 2, Osamu Tezuka's manga Tetsuwan Atom (more popularly known in the west as Astro Boy) was published. When the psionic entity Onslaught hampered all telepathic abilities on Earth, Cable began to succumb to the TO virus. After attacks by Onslaught's herald Post and a. The series focused upon a robot boy built by a scientist to replace his deceased son. Being built from an incomplete robot originally intended for military purposes Astro Boy possessed amazing powers such as flight through thrusters in his feet and the incredible mechanical strength of his limbs. The 1. 95. 0s saw the Silver Age of Comics. During this era DC introduced the likes of Batwoman in 1. Supergirl, Miss Arrowette, and Bat- Girl; all female derivatives of established male superheroes. Moonlight Mask on Japanese television. The Marvel Comics teams of the early 1. DC's flagship superhero team the Justice League of America (whose initial roster included Wonder Woman as the token female); examples include the Fantastic Four's Invisible Girl, the X- Men's Jean Grey (originally known as Marvel Girl), the Avengers' Wasp, and the Brotherhood of Mutants' Scarlet Witch (who later joined the Avengers). In 1. 96. 3, Astro Boy was adapted into a highly influential anime television series. Phantom Agents in 1. Japanese government and would be the foundation for Sentai- type series. Ultra Q created by Eiji Tsuburaya this would eventually lead on to the sequel Ultraman, spawning a successful franchise focused upon the Giant Hero subgenre where the Superheroes would be as big as giant monsters (Kaiju) that they fought. In 1. 97. 2, the Science Ninja Team Gatchaman anime debuted, which built upon the superhero team idea of the live- action Phantom Agents as well as introducing different colors for team members and special vehicles to support them, said vehicles could also combine into a larger one. Another important event was the debut of Mazinger Z by Go Nagai, creating the Super Robot genre. Go Nagai also wrote the manga Cutey Honey in 1. Magical Girl genre already existed, Nagai's manga introduced Transformation sequences that would become a staple of Magical Girl media. The 1. 97. 0s would see more anti- heroes introduced into Superhero fiction such examples included the debut of Shotaro Ishinomori's Skull Man in 1. Go Nagai's Devilman in 1. Gerry Conway and John Romita's Punisher in 1. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The protagonist was redesigned resemble a grasshopper, becoming the renowned first masked hero of the Kamen Rider series. Kamen Rider is a motorcycle riding hero in an insect- like costume, who shouts Henshin (Transform) to don his costume and gain superhuman powers. The ideas of second- wave feminism, which spread through the 1. Wonder Woman was for a time revamped as a mod- dressingmartial artist directly inspired by the Emma Peel character from the British television series. The Avengers (no relation to the superhero team of the same name). Examples include Big Barda, Power Girl, and the Huntress by DC comics; and from Marvel, the second Black Widow, Shanna the She- Devil, and The Cat. In 1. 97. 8, Toei adapted Spider- Man into a live- action series. In this continuity, Spider- Man had a vehicle called Marveller that could transform into a giant and powerful robot called Leopardon, this idea would be carried over to Toei's Battle Fever J and now multi- colored teams not only had support vehicles but giant robots to fight giant monsters with. Female characters began assuming leadership roles in many ensemble superhero teams; the Uncanny X- Men series and its related spin- off titles in particular have included many female characters in pivotal roles since the 1. Saban's Mighty Morphin Power Rangers, an adaptation of Zyuranger created a multimedia franchise that used footage from Super Sentai. Superhero powers vary widely; superhuman strength, the ability to fly, enhanced senses, and the projection of energy bolts are all common. Some characters like Batman, Mockingbird, the Phantom and the Question possess no superhuman powers but have mastered skills such as martial arts, espionage techniques, and applied or forensic sciences to a highly remarkable degree. Others rely on fantastical weapons or technology, such as Iron Man's powered armor suits, Green Lantern’s power ring, and trick arrows employed by Green Arrow and Hawkeye. Many characters supplement their innate superhuman powers with a special weapon or device (e. Captain America's shield, Wonder Woman's lasso and bracelets, Thor'sweather manipulating hammer, and Wolverine's adamantium claws). A strong moral code, including a willingness to risk one's own safety in the service of good without expectation of reward. Such a code often includes a refusal or strong reluctance to kill or wield lethal weapons. Spider- Man), a formal calling (e. Wonder Woman), a childhood trauma or personal vendetta against criminals (e. Batman), or a strong belief in justice and humanitarian service (e. Superman). A secret identity that protects the superhero's friends and family from becoming targets of his or her enemies, such as Clark Kent (Superman), or to protect themselves from getting arrested by the police, like Spider- Man, although many superheroes have a confidant (usually a friend or relative who has been sworn to secrecy). Most superheroes use a descriptive or metaphoric code name for their public deeds. However, there are also rare ones whose true identities are common public knowledge, even with a costumed identity (e. Iron Man and Captain America). A distinctive costume, often used to conceal the secret identity (see Common costume features). An underlying motif or theme that affects the hero's name, costume, personal effects, and other aspects of his or her character (e. Batman wears a bat- inspired costume, uses bat- themed equipment, and operates at night; Spider- Man can project artificial webbing from wrist- mounted web shooting gadgets, has a spider web pattern on his costume, and other spider- like abilities). A supporting cast of recurring characters, including the hero's friends, co- workers or love interests, who may or may not know of the superhero's secret identity. Often the hero's personal relationships are complicated by this dual life, a common theme in Batman, Spider- Man and Superman stories in particular. A rogues gallery consisting of enemies that he/she fights repeatedly. In some cases superheroes begin by fighting run- of- the- mill criminals before supervillains surface in their respective story lines. In many cases the hero is in part responsible for the appearance of these supervillains (the Scorpion was created as the perfect enemy to defeat Spider- Man; the Sentinels were designed to hunt mutants who often represent the protagonists of Marvel stories; and characters in Batman's comics often accuse him of inadvertently creating the villains he fights). Often superheroes have a recurring archenemy who is especially threatening, or a nemesis who is depicted as a doppelganger or foil (e. Wolverine is outmatched physically by Sabretooth, who embraces his savage instincts while the former attempts to suppress his; the psychopathic Reverse- Flash's costume and abilities are very similar to the Flash's; the Joker is flamboyant and colorful in contrast to the moody, grim Batman. Magneto is restless and hostile in contrast to the calm and peaceful Professor X.)Independent wealth (e. Batman's family fortune, the X- Men's patron Professor X, Iron Man's father's weapon and technology company) or an occupation that allows for minimal supervision (e. Spider- Man's civilian job as a freelance photographer). A backstory that explains the circumstances by which the character acquired his or her abilities as well as his or her motivation for becoming a superhero. Many origin stories involve tragic elements or freak accidents that result in the development of the hero's abilities. Normal, human flaws like extravagance (Tony Stark), aggression (Wolverine) or a dysfunctional family (very common: e. Batman, Magneto). Many superheroes work independently. However, there are also many superhero teams. Some, such as the Fantastic Four, DNAgents, and the X- Men, have common origins and usually operate as a group. Some are families in which the parents and kids have superpowers, like The Incredibles. Others, such as DC Comics’s Justice League and Marvel’s Avengers, are . 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